Stand by me cover

According to King, the title is derived from, and was inspired by, a spiritual written by Sam Cooke and J, stand by me cover. It was featured on the soundtrack of the film of the same nameand a corresponding music videofeaturing King along with actors River Phoenix and Wil Wheatonwas released to promote the film.

Stand by Me Single April Don't Play That Song! Album May This composition was licensed with the help of SecondHandSongs on January 19, for a short film. A sync license was granted for 1 year use in France. This composition was licensed with the help of SecondHandSongs on November 14, for a commercial.

Stand by me cover

You might know it from the movie of the same name, or possibly from that episode of Euphoria where Lexi and Fez watch said movie and then sing said song. What is especially fascinating to me is how different covers can bring in new musical elements and reshape the song without losing the core tone or message. King, so here are a few interesting facts about the original recording. The song was originally written by King for the group the Drifters, but they passed on it when King brought it to them. Since then, the song has reached the top 10 charts twice—once when it first came out, and then again in when the Rob Reiner film of the same name debuted. The original track features some notable elements, such as the deep, hollow bass, which would become the bedrock for all the subsequent covers, as well as a powerful string section, which stays hidden for a large part of the song but comes in to support the chorus with a beautiful crescendo. This allows King to demonstrate the power of his vocals early in the song, but it also generates the anticipation that the space will eventually be filled out by something even bigger, which the sprawling string section delivers on once we reach the chorus. Right off the bat, Redding begins the song by reshaping the bassline. It may seem like a small thing, but Redding begins the song slightly earlier than King, with two half beats rather than on the whole as King does. I think this further emphasizes the whole beat on the bassline by creating a lead-in to the song, as well as a melodic staircase, since each progressive note gets slightly higher before reaching the punch.

The original track features some notable elements, such as the deep, hollow bass, which would become the bedrock for all the subsequent covers, as well as a powerful string section, which stays hidden for a large part of the song but comes in to support the chorus with a beautiful crescendo, stand by me cover.

Ben E. Fifty-five years after its release, the song has become a modern standard, reinterpreted countless times across genre, era and culture. Chuck D once hosted an ESPN documentary that made the case for Ali's influence on hip-hop, but before the heavyweight champ claimed to have tussled with a whale, handcuffed lightning and thrown thunder in jail, he recorded this Ben E. King cover. King, so maybe that's why he doesn't treat the song like a sacred text. The bass line remains, but the overall attitude is lighter, even mischievous, thanks to a horn section that offers color rather than punctuation.

Ben E. Fifty-five years after its release, the song has become a modern standard, reinterpreted countless times across genre, era and culture. Chuck D once hosted an ESPN documentary that made the case for Ali's influence on hip-hop, but before the heavyweight champ claimed to have tussled with a whale, handcuffed lightning and thrown thunder in jail, he recorded this Ben E. King cover. King, so maybe that's why he doesn't treat the song like a sacred text. The bass line remains, but the overall attitude is lighter, even mischievous, thanks to a horn section that offers color rather than punctuation. Steve Cropper spins out winding, inventive riffs on his guitar, and then there's Otis, who sings with passion but pointedly avoids turning the lyrics into a desperate plea: He seems to be enjoying the groove as much as the rest of us.

Stand by me cover

Stand by Me Single April Don't Play That Song! Album May This composition was licensed with the help of SecondHandSongs on January 19, for a short film. A sync license was granted for 1 year use in France. This composition was licensed with the help of SecondHandSongs on November 14, for a commercial. Added by Bastien. King , Mike Stoller English.

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The live recording audience feedback. This composition was licensed with the help of SecondHandSongs on November 14, for a commercial. Nielsen SoundScan. The Counteracts. In James E. Stand by Me Single April Retrieved June 16, Fausto Leali. Recorded Music NZ. Three years earlier, the couple would have boogied to the Bee Gees, but here, in Urban Cowboy , they sway to Mickey Gilley's country cover of "Stand by Me" — painfully ironic because Travolta's Bud has pulled this maneuver in order to make Debra Winger's Sissy, posted up across the bar, feel jealous.

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