So come on let it go

The soundtrack to Disney's "Frozen" was not an immediate success.

The song was performed in its original show-tune version in the film by American actress and singer Idina Menzel in her vocal role as Queen Elsa. It was later released as a single, [2] [3] being promoted to adult contemporary radio by Walt Disney Records in January Disney's music division planned to release Lovato's version of the song before Menzel's, as they did not consider Menzel's version a traditional pop song. The song was a commercial success, becoming the first song from a Disney animated musical to reach the top ten of the Billboard Hot since , when Vanessa L. Williams 's " Colors of the Wind " from Pocahontas peaked at number four on the chart.

So come on let it go

It reached the top five in the Billboard Hot chart, sold Adults loved it, but it was a track that bewitched children — causing them to drive their parents to the brink of insanity by obsessively playing it over and over again. It was the kind of magic about which pop song producers could only dream. After all, if it was that easy to make a catchy song, then everyone would be doing it. What is the secret to its sorcery? We asked two music experts for their thoughts. An effective pop song has to feel familiar the first time you hear it. Instead, its power lies in occupying a space somewhere between pop and musical theatre. Let it go! And it has this three-note motif that the three syllables sit on that, again, is so simple. I can imagine kids up and down the country asking their parents what a frozen fractal is. Where the song arrived without the context of Elsa and her great awakening, without her blue dress, power plait and giant ice palace? Yet it feels so empowering. How does it feel to be outcast? How does it feel to be suddenly all on your own and yet find power within that?

Lovato performed the song on several occasions.

It was released in Europe on 15 September through Republic Records as the first single from Bay's second extended play of the same name. It was included on Bay's debut studio album Chaos and the Calm A week after that, the song entered the top 10 of the chart, peaking at number A remix by Jack Steadman was released in Gregory Robson of AbsolutePunk called "Let It Go" a "rising current of despondency, heartache and powerhouse vocals" and "the clearest example of who exactly Bay is, that is, supple instrumentation, gauzy textures and that ageless croon".

From walking home and talking loads To seeing shows in evening clothes with you From nervous touch and getting drunk To staying up and waking up with you Now we're sleeping on the edge Holding something we don't need All this delusion in our heads Is gonna bring us to our knees So come on, let it go Just let it be Why don't you be you And I'll be me? Everything that's broke Leave it to the breeze Why don't you be you And I'll be me? And I'll be me From throwing clothes across the floor To teeth and claws and slamming doors at you If this is all we're living for Why are we doing it, doing it, doing it anymore? I used to recognize myself It's funny how reflections change When we're becoming something else I think it's time to walk away So come on, let it go Just let it be Why don't you be you And I'll be me? Everything that's broke Leave it to the breeze Why don't you be you And I'll be me And I'll be me Tryna fit your hand inside of mine When we know it just don't belong There's no force on earth Could make me feel right, no Tryna push this problem up the hill When it's just too heavy to hold Think now is the time to let it slide So come on, let it go Just let it be Why don't you be you And I'll be me? Everything that's broke Leave it to the breeze Let the ashes fall Forget about me Come on, let it go Just let it be Why don't you be you And I'll be me? And I'll be me.

So come on let it go

PDF Playlist. It was released in Europe on 15 September through Republic Records as the first single from Bay's second extended play of the same name. It was included on Bay's debut studio album Chaos and the Calm

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Archived from the original on February 22, Archived from the original on July 16, Gaon Chart. Lopez explained that they wanted that feeling of how "this character doesn't need us anymore," because he had always loved that feeling "when a character just kind of malevolently looks at you and slams a door in your face," although in the final version, Elsa's facial expression ended up as more of a "sly smile". Ultratop Retrieved 18 January November 15, Emanuel Kiriakou Andrew Goldstein. Retrieved January 1, December 17,

Lyrics submitted by sebilerya.

It indicates a way to close an interaction, or dismiss a notification. Retrieved July 1, February 18, Facebook Email icon An envelope. And then you have to go back and adjust for lip sync! Critics' Choice Awards [93] [94]. Academy of Motion Picture Arts and Sciences. Many cover versions have been recorded internationally. The Walt Disney Company, Dist. Archived from the original on June 26, January For each song they created, including "Let It Go", Anderson-Lopez and Lopez recorded a demo in their studio, then emailed it to the Disney Animation production team in Burbank for discussion at their next videoconference.