Odessa guitar

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User Name Remember Me? Odessa guitar?? I acquired this guitar, but know very little about it. The top appears to be solid. The back not so sure? It seems to be in decent condition.

Odessa guitar

User Name Remember Me? Odessa guitar?? I acquired this guitar, but know very little about it. The top appears to be solid. The back not so sure? It seems to be in decent condition. Does anyone know anything? I can't find much about it and thought someone here might know. Wade Hampton. Sonoma, the back and sides are definitely laminated woods, and from what I can see the top looks laminated, too. We could tell for certain if you take a photo of the soundhole from more of an angle, but even in the photo you provided there appears to be a darker-colored layer of wood in there. The wood of the inside of the back, as seen through the soundhole, appears to be luan, often sold as "Philippine mahogany.

The Degenerate followed as my take on the double cut, odessa guitar, initially I wanted fewer odessa guitar and transitions and a more Spartan visual than the DeadBeat. So after a chat about it, it was decided upon to come and live with me and I couldn't have been happier to do so. Meeting the guitar for the first time was of course, positive.

That said, some of my other musical influences would include D. I am influenced by things outside the world of guitars, be it cars, furniture design or Brutalist architecture. The more I build, the greater my admiration of design and designers. Influences within the guitar world would definitely include Florian at Millimetric, a massive innovator and generally lovely guy. Matt Proctor at M-Tone guitars has also been a long time influence as well. One of my closest friends within the business is Jon at Lateral Sound pedals. We live fairly close to each other here in the South West of England, so we actually get to see one another on a fairly regular basis.

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Odessa guitar

About this model:. This is where it all started for Odessa. An offset body shape that evokes the golden age of guitar design but with thoroughly modern appointments. The DeadBeat combines no-nonsense aesthetics with precisely planned practicality. Everything feels as it should…from the subtle stomach cut and forearm bevel to the upper fret access and placement of the controls, the DeadBeat is instantly familiar. Neck timbers — usually Maple, but happy to use other timbers, just ask. Scale Length — happy to accommodate most scale lengths, just ask. Hardware — essentially your choice, but Hipshot tuners and bridges work well with my builds.

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Find all posts by Wade Hampton. It sounds odd, but seeing it with strings on really pulled everything together and I found myself grinning very widely at the sight of this photo. The time now is PM. J - I'm always quite intrigued when guitar makers opt for a brand name as opposed to utilizing their own surnames which is commonly seen etc, and in particular found yours intriguing! There we have it! One of the most enjoyable parts of this whole process are the relationships I develop with customers. I've highlighted a few through this interview series who have certainly began to make their mark in the modern guitar world, and have helped fueled my passion and excitement for the business and industry currently. Join Date: Mar Posts: Essentially with the balance of three pickups and general tone from the guitar, I found that there wasn't much requirement for the tone pot, so rather than have 2 volumes and a tone, I changed it to three independent volume controls, one for each pickup. All times are GMT Hope this helps.

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The top does appear to be solid as the texture of the grain goes all the way through the top. Strung up and looking rather good indeed, needless to say I was over the moon when this photo was kindly sent over to me. We could tell for certain if you take a photo of the soundhole from more of an angle, but even in the photo you provided there appears to be a darker-colored layer of wood in there. Wondering If you have one in stock??? I'm happy to say that one of them, Mike Wiltshire of Odessa Guitars, has agreed to an interview here on the Home of Tone blog! I feel this is an exciting time to be a fan of guitar design. Over the moon with the tuner and bridge choice, both Hipshot products are incredibly well made, look very fitting with the guitar's design and boy, are those tuners damn good indeed. It looks like it's in excellent condition. The aesthetic pointers are just awesome to me, a very inspiring instrument to look at, and it hangs in my office as a continued distraction from working! My guess is that this guitar dates from the 's most likely or early 's. Hi Mindy! If you're interested in Mike's work, you can check out his website and social media via the links below. All times are GMT