Mosrite bass bridge

I'm doing a different order of operations than usual.

Post by Sarah » Wed Jul 14, am. Post by oipunkguy » Wed Jul 14, pm. Post by oipunkguy » Sat Jul 17, am. Post by Veenture » Sat Jul 17, am. Post by Sarah » Sat Jul 17, am. Post by oipunkguy » Sat Jul 17, pm.

Mosrite bass bridge

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I don't like big massive bass bodies anymore.

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Though the partnership lasted only a half-decade, the Ventures have been perpetually associated with Mosrite, as bassist Bob Bogle noted in a interview with VG. The single-pickup example you see here is exactly like the one on the cover of the album The Ventures Knock Me Out! The bodies were basswood, necks were maple, and fretboards were rosewood. Mosrite hooked up with another notable guitarist, Joe Maphis, for a signature series of instruments, and the bass in that aggregation was known as the Mark X Model Combos typically had a maple back and sides, with a thick hardwood top note the bound f-shaped sound hole. The handrest has been removed from the example you see here.

Mosrite bass bridge

Semie Moseley was born on June 13, in Durant, Oklahoma. In Bakersfield, Moseley started playing guitar in an evangelical group at age Semie and his brother Andy experimented with guitars since teen-age years, refinishing instruments and building new necks. Semie built a triple-neck guitar the longest neck was a standard guitar, the second-longest neck an octave higher, the shortest was an eight-string mandolin. Semie Moseley became a master luthier after he apprenticed with Paul Bigsby and later at Rickenbacker with Roger Rossmeisl, a German born jazz guitarist and talented luthier. Semie, who built guitars for the L. After a few years of struggling in Los Angeles trying to turn Mosrite into a mass producing guitar building operation, Semie moved his small operation in Oildale, just outside Bakersfield, California.

What time does the state of origin finish

Re: Reproduction Mosrite bridges Quote Post by oipunkguy » Sat Jul 17, am you know I never really thought about this until tonight when I measured this bridge, but from the side view of this bridge, the outline of the M shows up again. Yes, there is an "i" in loothery, but it is not only silent, it is invisible. This wiring is going to be dead simple, volume-tone-output, with the pickups in series. You can already get an idea of how the binding is going to look. If you aren't sure about anything on here, just ask. Here is the dry-erase pickguard. Semie would want it that way. Like my previous mistake, it will never show. I'm using a guitar body, with a shorter-scale neck. I need to know the diameter of the saddles for: Bass bridge and 6 string standard. Not as pointy, not as good for metal anymore.

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I think I've figured out how to do everything but the tremolo and the bridges. Contact Veenture. The diodes cost pennies. If you must be explicit about it, I suggest using a "y" for the "i", for example: "I are a loothyer, I do loothering. I folded up the contacts so it is less deep. Semie would want it that way. I think the grain filler did little more than tell me where I'd been and where I needed to go. Water-based poly doesn't yellow like oil-based, so the red will stay red and the binding will stay white. Reproduction Mosrite bridges Quote Post by Sarah » Wed Jul 14, am One of the things I've given a lot of thought to is offering reproduction parts as true to the originals as I possibly can. This required cocking the whole body slightly on the blank. Very little blotching, a slight spot on the lower horn that will probably fade away.