Megascans
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Thousands of 3D assets, tileable surfaces, vegetation, imperfections, atlases, decals and much more, from urban to natural, with hundreds of new assets scanned weekly. Get a head start with everything you need from day 1, and use your creativity where it matters most. Megascans allows for uncompromised quality and efficiency. Now that you have a world-class workflow at your disposal, what will you create? Megascans is the definitive standardized content resource. All assets are consistently scanned, scaled and PBR calibrated, and every single 3D mesh comes with meticulously optimized topology, UVs and LODs, meaning less time doing boring work, and more time having fun. Instantly get rid of the plastic look, and push yourself far beyond just photorealism.
Megascans
Founder of Quixel Teddy Bergsman talked about the history and the future of Megascans material library. Megascans has set out to be the one-stop shop for all high-quality physically-based scans, be it full 3D scans all the way from giant objects to small debris, high-resolution vegetation atlases, tileable surfaces, sculpting brushes, scan-based 3D plants and tree systems and more. Every asset is completely consistently scanned and processed, and carefully categorized into its respective real-world ecosystem for maximum ease of use in production. Creating a high-performing and simple online platform was also a major challenge for us, along with the new stand-alone art production tools that are coupled with the Megascans service. As for how the whole concept was created, the first prototype of the Megascans material scanner came about around 10 years ago. It was mainly for personal use, to learn about material properties, and to scan various surfaces for a commercial project I was working on at the time. A few years later I built a face scanning system based on the same technology, and worked for a brief period in LA to scan actors for various projects, which is where some of the early ideas for a massive scan library were sparked. This place had a very big impact on me, and the thought of creating a large library of scanned materials for the CG industry started forming. After a lot of consideration and some convincing from colleagues, in I made the decision to start a company. I wanted to go back to the original idea of making a pure material scanner, also building an automated processing pipeline around it. My colleague at the time, Waqar Azim , who happened to be a much more skilled hardware engineer than I ever was, joined me to co-found what came to be Quixel. Going a bit behind-the-scenes, one of the biggest challenges starting out was having virtually no savings whatsoever. In an attempt to fund the company we set out to take a couple of Photoshop-based texturing tools I had hacked together many years back for my own freelancing needs, and to turn them into something commercially viable ndo and ddo.
Originally posted by francomanko View Post. In the process of creating a successful modern film, megascans, visual effects, and lighting play a critical megascans.
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Thousands of 3D assets, tileable surfaces, vegetation, imperfections, atlases, decals and much more, from urban to natural, with hundreds of new assets scanned weekly. Get a head start with everything you need from day 1, and use your creativity where it matters most. Megascans allows for uncompromised quality and efficiency. Now that you have a world-class workflow at your disposal, what will you create? Megascans is the definitive standardized content resource. All assets are consistently scanned, scaled and PBR calibrated, and every single 3D mesh comes with meticulously optimized topology, UVs and LODs, meaning less time doing boring work, and more time having fun. Instantly get rid of the plastic look, and push yourself far beyond just photorealism. Most games, films and digital experiences today leverage Megascans to look their best. On our global scanning expeditions, we scan entire biomes and ecoregions to capture everything contained within them. From the smallest blade of grass to the largest cliff, every element is scanned and made fully modular, enabling you to create the most detailed worlds imaginable.
Megascans
The demo showcases two of the new features that will debut in Unreal Engine 5: Nanite virtualized micropolygon geometry and a fully dynamic global illumination solution called Lumen. The demo stars content from our new Limestone Quarry collection. Having all of this in a real-time, next-gen demo enables a level of immersion we could have only dreamed of in the past. It means that access to high-quality, photorealistic 3D content for the next generation of experiences is in your hands today, with a catalog that continues to grow and cover more of the planet. Nanite virtualized geometry allows users to add as much geometric detail as the eye can see.
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The moment one lowers the blur value to get a crisper image CoronaBitmap starts to shine. Now that you have a world-class workflow at your disposal, what will you create? To me it looks like wrong bit depth. Megascans Studio enables a high level of customization through a very artist-friendly UX. The scans have incredibly rich surface properties, which can be used and combined to create virtually any other surface using Megascans Studio. They are trusted and widely used in films, games, or visualization, i. In contrast to the photorealism for which Megascans is known, the demo shows the new Smart Material system added in Mixer in use to create a custom material suitable for use in a stylised-looking game. Since release, the Megascans community now also comprises thousands of indies, freelancers and hobbyists creating the next generation of environments. I'm still on Then we arrive to megascans assets, tried using sRGB for the albedo which resulted a dark, unsaturated look, the closest we got their displayed references when all maps loaded as RAW, anyone has experience with this? Learn more. The most recent major film release that used Megascans heavily was The Jungle Book, which used Megascans for its many jungle environments. Shot from The Jungle Book, which was one of the first Megascans based productions to be released We are currently collaborating on a number of exciting projects with studios and companies we have great respect for, and look forward to revealing more about these partnerships soon.
Thousands of 3D assets, tileable surfaces, vegetation, imperfections, atlases, decals and much more, from urban to natural, with hundreds of new assets scanned weekly.
Customization is very important aspect of Megascans You can blend multiple scans together, create super large custom tileables, or completely change the properties of the material to fit your needs, and export your final result in a highly customizable manner. The majority of the machines are part of a fully automated pipeline I wrote over the past 6 years in parallel with writing the Quixel Suit e of tools. Fully 3D scanned vegetation for games is next up for the Megascans library. Forgot password or user name? For Megascans consistency is paramount, and to the biggest possible extent possible all assets are scanned under completely controlled conditions with purpose-built technology, with no external light or reflections interfering with the capturing, to ensure that we capture completely clean and calibrated albedos. Man-made surfaces are coming up We are expanding the library quite heavily and are also listening very carefully to requests from our community and clients as we set our scanning and processing priorities. Staying true to the vision, every penny that came into the company went directly towards Megascans development. Much Thanks for the help. I'm having a bit of problem with the Megascans Bridge exporter and the 3d assets in 3ds max. Capturing dependable albedo data for physically based rendering pipelines is not the easiest of things to do, and is something we are continuously striving to master.
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