Lost in london 2018

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E ven at its liveliest, cinema can only ever be a refrigerated medium, relaying images to us that were shot months, years even decades earlier. But this week there was an exception to that rule. As if that were not impressive enough, the picture was shot in a single unbroken minute take with a cast of 30 plus hundreds of extras in 14 locations, two black cabs, one police vehicle and a VW camper van festooned with fairy lights. With Lost in London , Harrelson went as far in the opposite direction as one can imagine. This was edge-of-the-seat, seat-of-the-pants film-making.

Lost in london 2018

Lost in London also known as Lost in London LIVE is a American independent biographical comedy-drama film written, starring, and directed by Woody Harrelson in his directorial debut. The film also stars Owen Wilson and Willie Nelson. The film was shot and screened live in select theatres on 19 January The idea for the film came to Harrelson following a night out at Chinawhite , a club in Soho , in Harrelson announced the film in September According to Harrelson, the film contains 30 cast members and 14 shooting locations. The film was shot in a single take with one camera. The film officially premiered in London on 27 January Writing for the London Evening Standard , Nick Curtis judged Harrelson's film, "A daft idea, the kind of mad, experimental challenge dreamed up by stoned film nerds after a Hitchcock all-nighter, but one he pulled off with considerable wit and brio. Lost In London is not a great film. How could it be when character and plot are slaves to the concept, when all we have is the frame of a single camera?

One camera.

Within the course of one night, Woody Harrelson finds himself in a misadventure in London that winds him up in jail. Sign In Sign In. New Customer? Create account. Lost in London Not Rated 1h 40m. Play trailer Comedy Drama.

Harrelson has decided to take an embarrassing autobiographical tale, transform it into a meta analysis on the transient nature of celebrity — and then film the whole thing in one take. Now receiving a limited release a few months later, the film can successfully be viewed on its own terms, almost entirely divorced of gimmickry allegations — especially as it neatly slots in to the lineage of masterful one-take cinema, in particular the ambitious German heist film Victoria from The probing, borderline-Dogme 95 handheld cinematography may prove off-putting to some viewers. But this stripped down style is the perfect compliment to a subtle satirisation of reckless celebrity privilege, that manages to get under the skin of our privileged protagonist Harrelson playing himself , while also making him empathetic because of the universality of his flaws. The film depicts a wild night Harrelson had in London back in , although pop culture references here suggest it has an updated period setting. Soon, with his friendship and marriage in disarray, he finds himself getting into a fight with a taxi driver and sent for an evening in prison. Very little post production work has been performed on the film prior to its non-live release, making sequences like this all the more impressive.

Lost in london 2018

E ven at its liveliest, cinema can only ever be a refrigerated medium, relaying images to us that were shot months, years even decades earlier. But this week there was an exception to that rule. As if that were not impressive enough, the picture was shot in a single unbroken minute take with a cast of 30 plus hundreds of extras in 14 locations, two black cabs, one police vehicle and a VW camper van festooned with fairy lights. With Lost in London, Harrelson went as far in the opposite direction as one can imagine. This was edge-of-the-seat, seat-of-the-pants film-making. The audience at the Picturehouse Central in Piccadilly Circus had the extra thrill of knowing that what they were watching was happening right outside at that very moment, on streets and sets only minutes from the cinema. That it came off with barely a hitch was a credit to a tightly drilled crew, including the dexterous camera operator, Jon Hembrough, and the cinematographer, Nigel Willoughby.

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Edit page. This is especially confusing as the marketing made the film out to be a drunken romp. See our picks. I want my two hours back. How could it be when character and plot are slaves to the concept, when all we have is the frame of a single camera? By what name was Lost in London officially released in India in English? Tobi Bamtefa Suleiman the Bouncer. If you have any basic knowledge of film making, acting, lighting, sound engineering and broadcasting, after watching this film you might agree it was an incredible achievement given the limited budget and schedule and all the obstacles and circumstances in which it was put together. See the full list. Box office Edit. Harrelson announced the film in September

Within the course of one night, Woody Harrelson finds himself in a misadventure in London that winds him up in jail. Sign In Sign In.

PurpleCrayon 27 May Please try again. This article is more than 7 years old. The film was shot and screened live in select theatres on 19 January Camera is shaky, sometimes blurry See detailed box office info on IMDbPro. Release date. The film follows Harrelson in a comic restaging of a night in when he ran amok in London and was arrested on suspicion of causing criminal damage. The dialogue is painfully intense, there is hardly any space to breathe. Retrieved 19 January