Kundura hafıza

Kundura hafıza explores Beykoz Kundura, which used to be a living space beyond being just a factory when its kindergarten, cinema and library are taken into consideration, with different methods for understanding its historical development within the context of tangible and intangible cultural values.

How do you position Kundura Cinema in the context of cinema culture in Turkey and beyond? Kundura Cinema is part of a cultural placemaking project. It is located at the former boiler house of the old shoe factory Beykoz Kundura, which is a place of significant industrial heritage in Istanbul. The cinema is a product of a core intention to sustainably repurpose this post-industrial site. Our mission is to create a new identity for this location, acknowledging the weight of history that comes with this site. For this reason, our story began with the memory project, Kundura Hafiza, through which we were able to uncover untold stories, and gain a better understanding of the social history of this site and of our collective identity.

Kundura hafıza

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We kundura hafıza to allow our audiences to design their own experience, and what is most important here is that we provide enough material to allow them to do this.

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Kundura Sahne probes performance practice with an inquisitive approach and creates space of encounter with its experimental and innovative fashion. While creating dialogues with strong local and international values, it embraces, encourages and supports research-oriented creative practice in interdisciplinary context. Nurturing the relation of research methodologies and creative techniques, it provides an interplaying dialogue for known concepts and rules; and takes part in creating works of art that are developed with proper methods. Based on the complexity of terms and definitions, it investigates ongoing peripheral connection and interrelationship of concepts such as stage, audience and actor, body and movement. It encourages change in creative styles and creates new setups.

Kundura hafıza

It explores Beykoz Kundura, which used to be a living space beyond being just a factory when its kindergarten, cinema and library are taken into consideration, with different methods for understanding its historical development within the context of tangible and intangible cultural values. It examines Beykoz Kundura as a space of life and the state of 'being interconnected' with selected archive materials and oral historical narratives. In addition, there are many documents are kept and conserved in the archive with hundreds of photographs such as architectural drawings of the factory buildings, maps, plans, technical drawings of machinery, shoe catalogues, correspondences, general instructions, invoices, job applications, certificates of quality, bills for goods etc. It plans a working cycle with the artists, which protects, conserve, and guards the archive. It creates a field of research through art practice and provides participation and access to the archive by granting the artist the power of interpretation within the context of the main collecting and compiling principle of the archive. The artists who are invited to Vardiya for working at the archive in certain periods of the year for certain durations transfer their duties to the artist that will take over.

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She focuses on the definitions and practices of "care and attention" in a broad sense. Through our curation, we remind our audiences of this heritage and we encourage them to engage with the stories behind our programme. It examines Beykoz Kundura as a space of life and the state of 'being interconnected' with selected archive materials and oral historical narratives. In addition to her six solo exhibitions to date, the artist has participated in numerous group exhibitions on an international level, such as "A Pillar of Smoke" The Rencontres d'Arles, , "You Are What You Eat" Krakow Photomonth, As the space belongs to the public, we offer a diversity of genre, and we attempt to reach as wide an audience as possible through our curatorial storytelling. Symposium, Screenings, Talks. How does the choice of films shape the different types of audience of your cinema space? In subsequent works such as 'At the Site of the Fire,' the artist relates the past of the city we live in, shaped by fires and migrations, to the present day, treating fire as a moment of radical transformation; through archive research, testimonies, and the archaeology of the recent period, they aim to probe memories and extract a nomadic narrative from the intertwined memories of cities, cultures, and identities. Kundura Cinema is part of a cultural placemaking project. How do you position Kundura Cinema in the context of cinema culture in Turkey and beyond? First and foremost we hope that our audience will become a part of this ongoing journey, with their relationship to themselves and the space forming part of the placemaking process. The artists who are invited to Vardiya for working at the archive in certain periods of the year for certain durations transfer their duties to the artist that will take over. The self-repair of the organism and the long-term balancing of nature form the backbone of this narrative.

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Our mission is to create a new identity for this location, acknowledging the weight of history that comes with this site. We find that good quality and original hand-picked programmes also lead to the most interested and dedicated audiences. Powerful, timeless storytelling is a source of solidarity. It is located at the former boiler house of the old shoe factory Beykoz Kundura, which is a place of significant industrial heritage in Istanbul. As our space is a part of industrial heritage, and partially public, we cannot keep it just for ourselves or for a very niche target audience. She focuses on the definitions and practices of "care and attention" in a broad sense. It explores Beykoz Kundura, which used to be a living space beyond being just a factory when its kindergarten, cinema and library are taken into consideration, with different methods for understanding its historical development within the context of tangible and intangible cultural values. For this reason, our story began with the memory project, Kundura Hafiza, through which we were able to uncover untold stories, and gain a better understanding of the social history of this site and of our collective identity. Kundura Cinema aims to invite its audience to acknowledge our past and our shared memory. Her recent works investigate the body as an archive and movement as a means of revival. It creates a field of research through art practice and provides participation and access to the archive by granting the artist the power of interpretation within the context of the main collecting and compiling principle of the archive. The artist decides how to make the transfer in this creative process. Cinema of Commoning. In addition to her six solo exhibitions to date, the artist has participated in numerous group exhibitions on an international level, such as "A Pillar of Smoke" The Rencontres d'Arles, , "You Are What You Eat" Krakow Photomonth, Through experimentation, we attempt to bridge past and future and embrace change, while also keeping those bonds with the memory of cinema, and with the inherited legacy of our post-industrial space.