Jamey aebersold

This is an exceptional honor for me because it recognizes jazz education's contributions to the jazz legacy. I will continue to offer my services to further this marvelous American art form and I wholeheartedly thank jamey aebersold NEA for this award, jamey aebersold.

Wilton Jameson "Jamey" Aebersold born July 21, is an American publisher, educator, and jazz saxophonist. His Play-A-Long series of instructional books and CDs, using the chord-scale system , the first of which was released in , are an internationally renowned resource for jazz education. Aebersold was born in New Albany, Indiana. When he was fifteen, he played with local bands, then attended Indiana University in Bloomington while leading bands in southern Indiana and Kentucky. During the late s, he taught at Indiana University Southeast and in the s and s at the University of Louisville. He began weeklong summer workshops for students which have spread throughout the world into countries such as Canada, England, Scotland, Germany, Denmark, New Zealand, and Australia.

Jamey aebersold

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And that's only a hundred miles away, jamey aebersold. Melody instruments like saxophone and trumpet are omitted, enabling a jazz student to practice the song's melody and improvise over the chord changes with accompaniment.

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A half-century later, Aebersold Play-A-Long volumes now available as CDs and streaming online have sold over five million copies worldwide. A recipient of countless awards and honors, Aebersold received the Jazz Master award from the National Endowment for the Arts NEA in for his contributions to jazz pedagogy. Like any good composition, this collaborative creative endeavor consists of a jazz musician and educator—the music—and a writer—the words—who also are partners in life. We approached Jamey Aebersold with the idea of highlighting the remarkable story of his business dedicated to providing generations of jazz students, educators, and musicians with practical theory and principles of jazz improvisation in American jazz and popular music. This website is the culmination of months of interviews with Aebersold and other musicians and jazz educators who have been involved in the recordings and have used Aebersold Play-A-Longs in their own practice and teaching. Equally at home in jazz and classical realms, he was Principal Trombonist in the Tucson Symphony Orchestra for 28 years. He is a past president of the International Trombone Association and was an active jazz player and clinician. Tom is the author of the widely used books Rangebuilding on the Trombone and Twenty Counterparts, which are duet accompaniments to the Bordogni-Rochut Melodious Etudes.

Jamey aebersold

The fact is, the best way to learn music is to PLAY music, and what better way to play than with some of the absolute greatest rhythm sections in the world of jazz? It no longer matters whether you are in an "island" of jazz in your community, you can play with the best right away. Think about that; even if you are just a beginner to jazz, you can boldly practice with a solid rhythm section day after day. Using the Jamey Aebersold Play-A-Longs makes practicing fun again, even when you're just practicing scales! There is something for everyone in the Jamey Aebersold Jazz Play-A-Longs , whether you are a young aspiring player, active professional, teacher, or retired professional. The recording provides a professional jazz rhythm section, and YOU provide the melody! No longer are scales, exercises and arpeggios simply dull strings of notes with no harmonic meanings. Melodies suddenly come alive and practice is much more fun when the best rhythm sections in the business back you up. You can do all of this and more at your own pace and in the comfort and privacy of your own home! Open the book to the proper place

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And I played-- five years. And finally, many years later, volume 38 is the Blue Note play-along record. Thanks for listening. So why don't we make it easier for him to play what he hears in his head every time he plays. I don't think there's a second that goes by that somebody's not playin' with a Jamey Aebersold play-along record somewhere around the world. And I found out everybody can improvise, if you show 'em what scale to play and play a little background for 'em. One year we did seven week-long camps around the country. And-- if that's education, then I don't think they're gonna be very good conveyor of what education is. Instead of havin' just several people stand up out of the big band, you know? As a matter of fact-- there was a girl there, I forget what her name was, she was Dr. Housed at the University of Louisville in Kentucky, The Summer Jazz Workshops have been held in eight countries and feature an element of jazz education that Aebersold has long advanced- the value of small group combos. First, why were you so adamant about not teaching? But he said, "Jamey, I want to ask you a question. And you don't know how quickly it's gonna score.

It was offered in different keys. He hoped that the Berklee School of Music, which was publishing jazz material at the time, might be interested and take it over.

And I guess the other kids were beginners. That all evolved into the combo camps in about or '72, where everybody that came to the camp for that week, they were gonna play in a combo. And those students are the ones that I have to grab by the back of the neck and say, "Now, listen, you gotta stop, play fewer notes, leave some space, and don't play unless you hear that note that you're playin' in your mind first. Now, once again, here's Jamey improvising with his play along. So I guess I'll go there. Go to arts. I better practice that one. Instead of havin' just several people stand up out of the big band, you know? Because the students didn't know who these players were. It's more fun to make up sentences.