Industry season 2 review

The deliciously evil banking drama is back! And it just gets better and better as the characters get worse and worse.

Its appeal is a little uncanny. When Industry premiered in the fall of , it felt like Euphoria at a London investment bank—a sex-and-drugs bacchanal full of dead-attractive Gen Z junior bankers, all of whom were moving millions by day and their frequently naked bodies by night. But the series was chillier and less attention-grabbing than Euphoria —and had none of the bombast of a 1 percent show like, say, Billions. Its creators—Mickey Down and Konrad Kay, both of whom once worked in banking—operated in a minor key: capturing the bewilderment and rapaciousness of being ambitious and young and layering in dense, near-unintelligible finance jargon and a trance-y score that gave the show assuredness and an air of hyper-modernity. Plus, the casting was just incredible. Down and Kay have added new characters, amped up the narrative stakes, and the young actors—Herrold and Abela in particular—are giving the most exciting performances on television.

Industry season 2 review

Backs are stabbed and toilet sex is had in two feverish episodes, as Harper, Eric, Rishi and DVD decide to strike out together. Who are they kidding? Pierpoint London is sinking, scuppered by New York and there can only be so many survivors. But their success comes with a hidden cost: the bank would want them in New York. DVD and Rishi are onboard, but Eric does not want to relocate his family, and Harper, as always, only wants to move forward. But of course Mr Covid has a play. Industry relaxes its usual rigour here: no way would Bloom be allowed to text on live TV — but the fickle politics is bang-on. Harper, however, realises too late what Bloom was hinting: she has been insider trading. Eric offers her a dignified exit to New York — but again Harper chooses the nuclear option. This, of course, refers to Nicole, who has preyed on Harper, Robert and Venetia. When Ven seeks help from Yasmin, Yas dismisses the assault, not least because she has suffered similarly — causing it to escalate upwards. Both reveal the full extent of her layers of privilege, then promptly cut her off, leaving Yas truly exposed for the first time. He is jittery about commitment, while Harper we assume feels guilty for having got him fired.

This is most apparent on two occasions: in the final scene of the second episode, when she successfully closes the deal to get Bloom to buy stock, and when she encounters her brother in Berlin, confronting uncomfortable truths that force Harper to face the deep wounds of loss and guilt she carries from putting herself before her family, industry season 2 review.

We use cookies and other tracking technologies to improve your browsing experience on our site, show personalized content and targeted ads, analyze site traffic, and understand where our audiences come from. To learn more or opt-out, read our Cookie Policy. Once a feared operator known in the biz as the Terminator, Eric, played by Ken Leung , now fears being terminated himself. Once drunk with power, he is now just plain drunk. He, and his colleagues, would certainly know. Young workers chase commissions; predatory clients and polyamorous coworkers chase tail.

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Industry season 2 review

The world of Pierpoint—and finance in general, it follows—is not only ruthless but cold-hearted. Sure, Harper may still feel slightly guilty over having ousted Eric more or less. As does Danny, for sure. But to be open, to be vulnerable, is to show weakness. Asking permission to be vulnerable, then, allows both Harper and Daniel to maintain a modicum of distance between their feelings and their everyday interactions. Harper, Yas Marisa Abela , and Robert Harry Lawtey all spiral out of the controlled space of the office and into wilder territory, finding themselves confronting family histories that all but ask them to revert back into the anxious, clueless, and needy kids they once were. Reunions with a brother, a nanny, and a father, respectively, allow each to reexamine where they once were and where they are now. Only, they each find that such neat encounters were never going to work. To remain stoic.

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What did I make? Of our young Pierpoint four, only Gus ends the season in a better place than where he started — having abandoned his novel-in-progress, connected with his moral compass and found love, or something like it, with Master Covid. Already a subscriber? Others, like the middle-management wunderkind Danny Van Deventer Alex Alomar Akpobome , are kind of like internal Pierpoint-branded picks and shovels: a helping hand, maybe, but also a tool. By Brian Barrett. New York Magazine Vulture. The dialogue is so laden with financial jargon it occasionally becomes unparsable. Email link. Most Viewed Stories. He, and his colleagues, would certainly know. Industry is an incredibly watchable show, but for my money which is largely allocated in a risk-averse portfolio of mutual funds , the primary draw is how much fun it is to listen to. While each episode has its own contained narrative, all of them expertly lead up to the finale, in which character arcs have reached resolutions in one way or another.

Am I doing this right? Bloom has always been a maverick, but this episode we get to see him bare his teeth at Harper, for not being as available to him as he expects. It is an electrifying scene, as Harper tries to urge Bloom to stay the course with the short-sell — while attempting to conceal her stake from DVD.

This growing encroachment of their personal lives into their professional and vice versa is smoothly integrated by the writers, who humanize the characters by making each of their motivations understandable. Thanks for signing up to the Breaking News email. Most Viewed Stories. Want to bookmark your favourite articles and stories to read or reference later? Harper, Eric, and Rishi team up with a plan to jump banks. The Daily Beast. By submitting your email, you agree to our Terms and Privacy Notice. This has left her friendless, and, as we see in the opening episode, more vulnerable than you might think for someone who is clearly very good at her job. And in spite of how stressful the series can be, that sound design is almost comforting, in the way any white noise or coffee-shop background sound can be. And it is stuffed, bloated even, with unpleasant characters doing terrible things to one another and the world. Maybe the real edge will come when someone, anyone, learns how to be capable of enjoying the warmth. Ashley Kim. Mickey Down and Konrad Kay, the ex-bankers who created the series, have an ear for snappy dialogue and the stomach to let their inventions embarrass themselves. Thank you for registering Please refresh the page or navigate to another page on the site to be automatically logged in Please refresh your browser to be logged in. A stressed DVD, calculating the commissions the disgraced client Nicole Craig could bring in with a new trade, tries to partition off the past, like a hedge fund manager attempting to silo away a failed fund.