How to edit hdr in final cut pro

To learn whether your device supports playing video in HDR, recording video in HDR, or both, identify your iPhone model or iPad modelthen check its specifications. With the Clips app, create a new project and record HDR video directly from within the app or import an HDR video clip recorded with your device. Learn how to use the Clips app.

Since the release of the newer iPhones, particularly the iPhone 15, there has been a significant shift in the way videos are captured and processed. These devices now utilize High Dynamic Range HDR technology, a groundbreaking feature that captures a broader spectrum of colors and brightness levels, resulting in more vibrant and lifelike visuals. However, with great technology comes new challenges. Editing and adjusting these HDR videos, especially in professional software like Final Cut Pro, can be a daunting task for many. Because the richness of HDR can sometimes translate into overly bright or saturated footage when imported into editing platforms. Final Cut Pro, a leading video editing software, offers a plethora of tools and features to tackle these challenges head-on. Mastering these tools is crucial for anyone looking to produce professional-grade content with their iPhone footage.

How to edit hdr in final cut pro

To work in wide-gamut HDR , you must first configure two settings:. The color-processing setting for an entire library: This global setting changes the way in which effects and log processing work for all projects. The color space setting for a specific project: This setting determines the color space of your render files, the color of images you see on the screen, and the color space of your exported project the output media file. Important: The working color space setting may affect video processing and the appearance of your final rendering results. For example, when the library color-processing setting is changed from Standard to Wide Gamut HDR, some filters or compositing effects blend modes may change in appearance. In the Libraries sidebar in Final Cut Pro, select a library. In a Wide Gamut HDR library, the built-in camera LUT settings preserve the full dynamic range of log source media when converting to the working space. A third option, Wide Gamut Deprecated , appears if you selected a wide-gamut library containing log media that was created with Final Cut Pro You can choose one of four color space options for your project if the library color processing is set to Wide Gamut HDR and the project video format is set to HD or larger. In the Libraries sidebar in Final Cut Pro, select the event that contains the project you want to modify, then select the project or double-click it to open it in the timeline. Standard - Rec. You can also create a project that uses the standard color space within a wide-gamut library—for example, if you have wide-gamut media but need to deliver a standard project, or if you need to deliver both standard and wide-gamut versions of a project. Wide Gamut - Rec. See Export an HDR10 file.

Overview: The significance of HDR in modern videography. To be honest, this method is like translating a language.

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In any post-production workflow, color correction is generally one of the last steps in finishing an edited program. There are a number of reasons to color correct your footage:. Correct errors in color balance , exposure , and white-balance. Automatically balance colors: With one click, neutralize any color casts and maximize image contrast. Automatically white-balance a clip: Use an eyedropper to define a white or neutral gray highlight in a clip and instantly remove an unwanted color cast. You can even add multiple manual color corrections to one clip. Target specific colors or areas: Use color or shape masks to limit a correction to a particular color range or area in the image. Although these methods are independent of one another—you can turn any of the corrections off and on to see their effect—the order in which you use them matters. In general, you should use these tools in the order of Balance Color including white-balance corrections , Match Color, and if necessary manual color correction. Final Cut Pro also includes several video scopes you can use when manually color correcting your video.

How to edit hdr in final cut pro

No image device is capable of capturing and displaying the full spectrum of colors visible to the human eye. Consequently, image devices record, edit, display, or output a subset of those colors. Because Final Cut Pro projects often involve media captured or created from different sources, and because color gamuts vary from device to device, Final Cut Pro employs a color-management system to reconcile those color differences. These wide-gamut color devices display more vivid and lifelike hues in addition to all the hues that standard-gamut devices can display. Accordingly, the video industry has adopted a wide-gamut color standard called Rec. Although most currently available wide-gamut devices support only a subset of the colors contained in the full Rec. Additionally, some newer imaging devices can display extra levels of brightness in each color component red, green, and blue in a way that more closely reproduces how the human eye perceives contrast. These high-dynamic-range HDR displays typically process video at 10 bits per color component rather than 8 bits. The additional color data lets HDR displays render more discrete steps from the minimum to maximum brightness value in each color, creating more realistic color transitions and revealing more detail in both shadows and highlights.

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Contact Apple Support Need more help? Important: The working color space setting may affect video processing and the appearance of your final rendering results. Import HDR video recorded with iPhone. Think of "Rec. Right-click on your library and select "Library Properties. Editing and adjusting these HDR videos, especially in professional software like Final Cut Pro, can be a daunting task for many. You can also create a project that uses the standard color space within a wide-gamut library—for example, if you have wide-gamut media but need to deliver a standard project, or if you need to deliver both standard and wide-gamut versions of a project. Mastering these tools is crucial for anyone looking to produce professional-grade content with their iPhone footage. See Alternative. Learn more about sending iMovie projects to Final Cut Pro.

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A third option, Wide Gamut Deprecated , appears if you selected a wide-gamut library containing log media that was created with Final Cut Pro When you send a movie to Final Cut Pro, the project file and the media used in the project are copied to your Final Cut Pro library. October 19, Learn how to use the Clips app. Yes No. In the timeline, right-click on your video clip. However, with great technology comes new challenges. Click on it, and a dropdown menu will appear. See Assets. From this menu, select "Color Space Override" and then choose "Rec. Need more help? In the Libraries sidebar in Final Cut Pro, select a library.