How long has this been going on song

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Copyright - JazzStandards. It was a song for Adele Astaire and Jack Buchanan on the occasion of their first kiss. According to lyricist Ira Gershwin in his book Lyrics on Several Occasions , the musical received a lukewarm reception at the Philadelphia preview. After many changes in the book, the music, and the cast, Smarty became Funny Face, which featured both Adele and Fred Astaire. In the Broadway show brother and sister each fall in love with someone quite different from themselves. But in the movie Astaire is a fashion photographer who discovers a bookish waif whom he turns into a top model, and they fall in love despite an apparent age difference. There being no spot in the show for it as a duet, it became--with a few line changes--a solo for the soubrette, played by Bobbe Arnst.

How long has this been going on song

Morris, J. He Loves and She Loves. The movie's songs, however, are all by Porter, all of the original Gershwin songs having been replaced. The early history of that show was a kind of "whose on first? The show's initial out-of-town tryout was in Philadelphia where it was called Smarty. Ira recalls in his memoir Lyrics on Several Occasions , that he and George wrote it the words according to James Morris , having been written to fit the music for a "situation" -- specifically, "a first kiss. Apparently he didn't love all of his children the same. He certainly knew how important it was for a show After all the show was the thing that its songs "get over" and the evidence in Philadelphia was demonstrating that "How Long Has This Been Going On? The core problem appeared to be Adele Astaire, who despite her consummate ability to portray the essence of the flapper, did not have a voice suited to the depth of this song. By the time the show got to its next tryout venue, Atlantic City, the song was gone and so was Ridges, replaced by Allan Kearns ; and somewhere in there, perhaps during its third set of tryouts in Wilmington, Delaware, the show's title was also dropped in favor of Funny Face , after another of its songs. Ira recalls that the period of the tryouts was an unpleasant time of "recasting, rewriting, rehearsing, [and] recriminating -- [but] of rejoicing there was none" Jablonski , p. Adele's brother Fred Astaire, also one of the show's stars, called the time "agony. Wodehouse to work on the score for Rosalie , they saw an opportunity to save some of their trunk songs. All that had been needed was a slightly revised lyric to make the song work for her alone rather than as the originally intended duet. That the inclusion of their soulful song in a show one reviewer described as "romance in fine feathers and gold and ermine all over everything" may not have mattered much to the very busy brothers Gershwin at the moment; but such a setting, more associated with the waning form of European operetta than with the jazzier milieu of the American musical theater of the late Twenties, might have significantly delayed its being appreciated and thusly held it back, for a significant period of time, from establishing itself as a great standard.

Patti Austin. Though these lips have made slips, it was never really serious Who'd have thought, I'd be brought to a state that's so delirious? Notes on Twelve Nights in Hollywood : From through c.

Added by koan Managed by Isa. First live performance by Bobbe Arnst January 28, An adaptation is a musical work, which uses elements music or lyrics from another musical work. Detailed search. Meta Added by koan Managed by Isa. Originals Highlights 5 Versions Adaptations 4 All. Oliver - D.

Yours doesn't get you anywhere, so how about taking it out of the show? She reflects with "salty tears" about the differences between the two types of kisses. Though these lips have made slips, it was never really serious Who'd have thought, I'd be brought to a state that's so delirious? In the original Gershwin version of the song, somewhat more upbeat, it is sung by a young woman comparing kisses among family members and friends at holidays, to how different they turn out to be when experienced while expressing romantic affections; she is surprised to find that romantic kisses are very different. The two verses describe her previous negative experiences of kissing: first the childhood attentions of older female relatives, and second while working in a kissing booth.

How long has this been going on song

It reached No. In a issue of Smash Hits , Phil Collins named the song as one of his top 10 favourites, describing it as a "classic single". Although widely interpreted as being about infidelity , the song was in fact composed by lead singer Paul Carrack upon discovering that bassist Terry "Tex" Comer had been secretly working with the Sutherland Brothers and Quiver. The guitar solo is by lead guitarist Phil Harris. Alan 'Bam' King was the band's rhythm guitarist, formerly with the Action. The band had originally tried to record the song as a Motown-type single for Anchor Records, but gave up in favour of recording their first album at Rockfield Studios in Wales.

Words ending in top

Lenny Solomon. Diane Schuur. Zoot Sims and Bob Brookmeyer. Johnny Hartman — Orchestra conducted by Rudy Traylor. Pink Passion. Instead, he swings gracefully, wittily, almost effortlessly from track to track. Lynn Nelson and Fred Brush. Elisabeth Lundberg. Christian Jacob. Spike Robinson, Strings arranged and conducted by Jimmy Deuchar. Alexis Cole.

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Read Edit View history. Blue Monday Porgy and Bess The HomeMade Orchestra. Even then it lingered more or less unappreciated until it got the push it needed in the early 's -- a decade in search of songs in sync with a modern jazz sensibility. Carole Farley - John Constable. This performance of the song is regarded as "quintessential Flanagan, and quite indicative of the Midwestern Motor City flavor Flanagan and his many peers brought into the mainstream jazz of the day and beyond. Alec Wilder, in , points out that "the song is marked 'moderato' [meaning a tempo a little quicker than slow] but every time I've heard it, it has been played or sung very, very slowly, and rightly so" Wilder, American Popular Song: The Great Innovators, , p. Wanted One on One. Julie Anne. Shelean Newman. How could so many music people have missed this song for all those years? Julie Wilson with William Roy. Peter Beets. Christian Jacob.