Goya self portrait

The painting depicts the artist as vulnerable and fragile, presenting him as a commentary on Romantic artists. In this piece, goya self portrait, Goya shows himself working on a large canvas, with a serious expression and focused gaze directed goya self portrait his own reflection in a small mirror. Goya was known for his passion for painting and his love of social occasions and drinking.

Not on view. Goya is regarded as a remarkable portrait painter with the rare ability to move beyond physical appearances to capture the essence of a sitter. During his long career he produced a number of self-portraits of which, this is one of the most powerful. Goya looks directly at the viewer with mesmerizing intensity. Yet the portrait seems to be somewhat introspective, a close examination of himself, conveying emotional clarity and precision.

Goya self portrait

Self-Portrait with Dr. Arrieta, the last of his many self-portraits, was executed late in his life. On recovering, he presented Arrieta with this painting which shows the physician ministering to his patient. The words at the bottom read in translation, Goya gives thanks to his friend Arrieta for the expert care with which he saved his life from an acute and dangerous illness which he suffered at the close of the year when he was seventy-three years old. He painted it in This inscription gives the canvas the look of an ex-voto, a type of religious painting still popular in Spain, which expresses gratitude for deliverance from a calamity. ArtStories Zoom in. This record is from historic documentation and may not have been reviewed by a curator, so may be inaccurate or incomplete. Our records are frequently revised and enhanced. If you notice a mistake or have additional information about this object, please email collectionsdata artsmia. Does something look wrong with this image? Let us know. Zoom in on the left to the detail you'd like to save.

Goya cured by doctor Arrieta. Public Domain.

The artist, with his back to the viewer shows a painting to the minister for his approval perhaps a sketch of the "Sermon of San Bernardino of Siena"? In the Museum of Agen France , there is another self-portrait of the painter posing before a canvas. The work is of the same year as the previous one, when the painter was In the Museum of Fine Arts in Boston, there is a sketch which only reveals the bust of the artist wearing a wig. In the period he painted the small self-portrait now in the Academia de San Fernando. The whole body is seen and the painter is wearing a strange hat which served as a support for candles enabling him to work at night. There are another two self portraits in the Metropolitan Museum of Art in New York, the first with tricorne , done in brush and sepia Lehman legacy, approx.

Not on view. Goya is regarded as a remarkable portrait painter with the rare ability to move beyond physical appearances to capture the essence of a sitter. During his long career he produced a number of self-portraits of which, this is one of the most powerful. Goya looks directly at the viewer with mesmerizing intensity. Yet the portrait seems to be somewhat introspective, a close examination of himself, conveying emotional clarity and precision. Between October and February Goya suffered a serious illness which left him profoundly deaf for the rest of his life. Deprived of his hearing, the interior world that Goya must have inhabited is well expressed in this portrait, where the intensity of his thoughts seem manifest in his gaze. The head is the only carefully resolved part of the sheet, his garments are only lightly indicated.

Goya self portrait

The tilt of the head and concentrated expression of the eyes suggest that the artist has portrayed himself looking in a mirror or at the easel on which he is painting. Of the numerous self-portraits that Goya made during the course of his life, this painting, made when he was 69 years old, is perhaps the most intimate, with the exception of the likeness on his sick bed, frail and suffering, made five years later. A Self-portrait in the Prado, signed and bearing the same date discovered during recent cleaning , is similar in style and general appearance but there are slight variations in the pose and costume and in the expression of the face, which seems to reflect a more melancholy mood. The portrait remained in Goya's possession until his death, when it passed to his son. He presented it to the Academy in when the debt for the equestrian portrait of Ferdinand VII, commissioned by the Academy and painted by Goya in , was finally liquidated. Because of the unusual position of the head it was once suggested that this was a sketch for the Self-portrait with Dr Arrieta but the direction of the head is different and this is the face of a year-old, looking weary perhaps but with no sign of the ravages of illness that were to transform it. Self Portrait, by Francisco Goya.

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Arrieta and Goya are depicted naturalistically in a dim light, with the red bed-sheet at the bottom of the painting bringing warmth to the setting. National Gallery. Various diagnoses of this illness have been offered: syphilis , lead poisoning , cerebrovascular disease , acute infection of the central nervous system, and the rare condition of Vogt-Koyanagi-Harada syndrome —temporary inflammation of the uveal tract associated with permanent deafness. Self-Portrait with Dr. Valentin Carderera "Les dessins de Goya. The work is of the same year as the previous one, when the painter was Goya is regarded as a remarkable portrait painter with the rare ability to move beyond physical appearances to capture the essence of a sitter. Self-portrait c. Between October and February Goya suffered a serious illness which left him profoundly deaf for the rest of his life. Another two 1 , 2 appear in the preparatory drawings for print no. This inscription gives the canvas the look of an ex-voto, a type of religious painting still popular in Spain, which expresses gratitude for deliverance from a calamity.

This self-portrait, in addition to its simply resplendent beauty, is a clear and articulate commentary on the Romantic artist. Goya finds it unnecessary to look at the canvas while he paints; inspiration alone guides his brush. Goya stands aside, and is indeed enveloped by, a grandly lit window like the one that serves as a metaphor for Christ's holiness in Leonardo da Vinci's Last Supper , and moreover, one through which the natural world is decidedly not visible.

Basel: Karger, Gassier and Wilson , no. In this work Goya stares at the viewer, with the shoulders hardly sketched in, with long unkempt hair and long sideburns that meet to form a beard. During his long career he produced a number of self-portraits of which, this is one of the most powerful. Consecration of Aloysius Gonzaga c. Does something look wrong with this image? New York, , pp. This record is from historic documentation and may not have been reviewed by a curator, so may be inaccurate or incomplete. While the Black Paintings explicitly deal with themes of violence and conflict in the public sphere, the scene in Self-Portrait shows men caring and healing one another within the private sphere. Goya appears in another print next to a woman who has been identified as the Duchess of Alba in the preliminary drawing Museo del Prado for the print Dream of Lies and Inconstancy Biblioteca Nacional, Madrid , one of the Caprichos not included in the collection. View Image in Fullscreen.