Dual super lead

Updated: Dual super lead 8, I finally decided to give my trusty, over ten years old, Marshall JCM DSL a review - after so many years of great service, I think the world needs to know. The has two foot-switchable channels, with an optional 20db boost on the dirt channel, dual super lead, that is also foot-switchable foot switch included. Like most Marshalls, the two preamp channels are powered by 12AX7 tubes, one for the clean channel, two for the dirt channel and one for phase inversion.

This power-packed amp head, though no longer in production, continues to captivate the hearts of musicians worldwide. Its timeless design coupled with an impressive load of features gives it an edge in the realm of music gear. The DSL, standing for "Dual Super Lead", is fortified with a dual footswitchable channel design, offering versatility at your fingertips. Each channel is equipped with a three-band EQ, presence, and reverb, offering you the ability to fine-tune your sound to perfection. But that's not all - each channel also features two distinctive modes: the Classic Channel offers Clean and Crunch options, while the Ultra channel provides separate Leads, essentially rendering the sounds of four amps in one compact head.

Dual super lead

The DSLH has two gain channels to produce that legendary Marshall sound with rich functionality for those who require flexibility and unquestionable quality. The amp can move between two sounds within each gain channel, so that players can create and release their personality through sound. There are two master volume functions so you can bring your solo to the forefront. Using the individual reverb for the two footswitchable gain channels, FX loop and tone shift controls you can experiment with your style. For those more demanding players, the amps features can be controlled using any MIDI equipment, so you can play this amp and different MIDI equipment at any one time. The DSL can be easily taken from the bedroom, to the studio onto a gig using the five available speaker outputs, it also has the ability to record and a standby function for silent recording. The DSL can be used in many environments with confidence as the power can be reduced from W to 50W without affecting the quality. DSLH The DSLH has two gain channels to produce that legendary Marshall sound with rich functionality for those who require flexibility and unquestionable quality. Key Features. Stand out on stage. Choose your tone. MIDI compatibility. Vary the output.

Mid gain, balanced, less character. I found my soul mate.

The Classic Gain has two modes capable of providing classic Marshall tone and high gain modern tones, taking the player from a style clean right through to the snarl of a JCM The Ultra Gain channel on the other hand also features two modes, mimicking the vibe of a hot-rodded or providing even higher gain and a gut-twisting mid-boost, all at the switch of a button. Powered by EL34s and housing ECC83s, the remarkable versatility marked the DSL out as the first Marshall amp truly capable of playing any style of music, and upon its release was particularly lauded for its clean tones. On top of this the DSL also featured an effects loop and reverb to add even more adaptability. Fast forward to and Marshall looked to revisit the JCM DSL, and build a new series based around it featuring updated technology. The modernised DSL range used largely the same components as the originals but also boasted some standout new features, such as a new resonance control, digital reverb, and a two-way footswitch.

Wide range of classic Marshall tones - from crystalline cleans to high gain heaviness. Power switching. MusicRadar's got your back Our team of expert musicians and producers spends hours testing products to help you choose the best music-making gear for you. Find out more about how we test. From Hendrix to Slash , Iron Maiden to Spinal Tap - if guitar royalty has one thing in common, it's that they all bow down to the majesty of Marshall guitar amplifiers. Aside from a quintet of special 50th anniversary models, also brings a refreshed line-up of DSL Dual Super Lead amps. Originally launched in the late 90s as part of the JCM range, the DSL amps proved a huge hit and were critically acclaimed as a modern classic. The new range includes a watt head and combo, and a watt head. In between the ultra-portable and the ultra-loud sits the DSL40C. As ever, simplicity proves itself to be the backbone of great design, but that doesn't mean Marshall has skimped on features.

Dual super lead

The Classic Gain has two modes capable of providing classic Marshall tone and high gain modern tones, taking the player from a style clean right through to the snarl of a JCM The Ultra Gain channel on the other hand also features two modes, mimicking the vibe of a hot-rodded or providing even higher gain and a gut-twisting mid-boost, all at the switch of a button. Powered by EL34s and housing ECC83s, the remarkable versatility marked the DSL out as the first Marshall amp truly capable of playing any style of music, and upon its release was particularly lauded for its clean tones. On top of this the DSL also featured an effects loop and reverb to add even more adaptability. Fast forward to and Marshall looked to revisit the JCM DSL, and build a new series based around it featuring updated technology. The modernised DSL range used largely the same components as the originals but also boasted some standout new features, such as a new resonance control, digital reverb, and a two-way footswitch. Learn how to dial your DSL amp here. Marshall Home Live for Music History. Read time: 3 mins.

Cojiendo panochitas

But I do have lots of practice with amplifiers so do bear that in mind. I love this amp, but I learned to love it only after I moved to a soundproof room, where I could experiment more at higher volumes and really let it breathe and shine Each channel is equipped with a three-band EQ, presence, and reverb, offering you the ability to fine-tune your sound to perfection. Uncover the story behind a true game changer. For those more demanding players, the amps features can be controlled using any MIDI equipment, so you can play this amp and different MIDI equipment at any one time. Find out how Natal's founder, Alan Sharp, revolutionised percussion manufacturing empowered drummers to take centre stage. Both OD track examples are not ones that demonstrate the amps' drive channel at its best! Xotic Super Clean Buffer Review. He says "I just use[d] a two-channel amp, one full This has been my main workhorse for over 10 years. I am hardly a Marshall connoisseur, but I think this nails that sought-after tone, if you can play it loud enough. Celebrating 25 years of Marshall whilst also ushering in a new era of tone, we look at the history of the Silver Jubilee.

This power-packed amp head, though no longer in production, continues to captivate the hearts of musicians worldwide.

Key Features. The Marshall DSL dual super lead originated from the Marshall factory in the UK, but later it migrated to other shores for manufacture. Marshall JVMH It has other features like separate reverb for each channel, and an effects loop. From my experience, with a Les Paul style guitar, even with moderate output pickups, the amp will breakup anywhere above nine o'clock on the preamp gain and with a Strat style guitar it will probably be able to stay clean up until around noon. Matthew Bellamy. Powered by EL34s and housing ECC83s, the remarkable versatility marked the DSL out as the first Marshall amp truly capable of playing any style of music, and upon its release was particularly lauded for its clean tones. Kemper Profiler Rack The tone stack responsiveness varies depending on preamp gain and master volume, the harder you push, the more noticeable the tone stack settings become. There are two master volume functions so you can bring your solo to the forefront. It's a simple amp to use, it has been reliable so far about 11 years , it is well built and sounds the way I need it to sound. Clean Tone Tip 2. Install a choke to get the nice tone smoothing you'll find in a vintage stuff A good starting point for both channels. Xotic Super Clean Buffer Review.