Cho gi seok

Our begins with Veronica looking straight into our eyes, with a hypnotic intensity.

Flowers of all colors, sizes and species adorn the faces and bodies portrayed by Giseok Cho. The Korean photographer wants to create the imagery of his own generation whether they are from Seoul or not. Early in his career as a photographer, Giseok Cho worked as a graphic designer and artistic director for Korean fashion brands in Seoul. As a millennial and flea market lover, these are his two inspirations in photography ; his personal experience in the Internet age and his curiosity for precious and old objects. Through his portraits, he injects his appetite for the fashion industry, where flowers hold a narrative as well as an aesthetic role.

Cho gi seok

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I didn't understand which version of my self was the real one, until I decided that they all were.

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Each year, British Journal of Photography presents its Ones To Watch — a group of emerging image-makers, chosen from hundreds of nominations by international experts. Collectively, they provide a window into where photography is heading, in the eyes of the curators, editors, agents, festival producers and photographers we invited to nominate. Throughout September, BJP-online is sharing their profiles, originally published in issue of the magazine. There is a sense of surrealness that permeates the dynamic portraits of Korean photographer, Gi Seok Cho. In every carefully constructed image, the colours, lighting and props transform the model into a fantastical character, oozing with narrative and spirit. So with graphic design, I liked making things by hand, so then I also began to explore set design.

Cho gi seok

Welcome to Ways of Seeing , an interview series that highlights emerging talents in the field of photography and film, working behind the camera. How did your career start? Were you always doing photography or did you start off doing something else? I have always wanted to be an artist since I was very young because I love to draw. But I started [my career] as an art director and focused on set designing. In , I made my own clothing brand, Kusikohc, and took photos to create the look book. As I was making the look book, I began to figure out what images I wanted to capture and became more interested in photography. I am still a creative director for my brand, but I have begun to focus on photography more and more now. As a young boy, I always wondered why I became quiet at home, when I was not near my friends. I questioned who I truly was.

Ninjago colours

Whether painted on the faces of the photographed, faded or fresh, these flowers bring to the portraits the very personal feelings of Giseok Cho on his generation. And yet, Cho Gi-Seok's poetics is founded precisely on the harmonization of seemingly opposing elements: "If I had to sum it up in one word, I think I would use 'coexistence. Now the photographs of Korean artist Cho Gi-Seok change all that. And I tried to do something very similar: on the one hand to capture the essence of Veronica - a real, extraordinary person - and on the other to create a fantastic character: everyone should be able to be the protagonist of a fairy tale. The Veronica Yoko Plebani that you will find in these pages is in fact not only the extraordinary Paralympic athlete, the writer and the activist that many people know by now: she is, above all, the protagonist of a dreamlike and surreal fashion fable. By PhotoVogue. Untitled, - Photo by Cho Gi-Seok. In times of insecurity and instability, a desire for boundaries, for clear-cut categories, often emerges, leaving no room for nuance or contradiction. And at the same time, it would address the world. Most Popular. As a millennial and flea market lover, these are his two inspirations in photography ; his personal experience in the Internet age and his curiosity for precious and old objects. To revisit this article, visit My Profile, then View saved stories. So it's not surprising that he has a perfect balance between his vision and the demands of commissioned work: his is a creativity that ignores, or overwhelms, any barrier. All the posts.

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And when you ask him to talk about himself, between a Raison cigarette with French yoghurt and the admission of the very few hours of sleep behind him, it is clear that he is already designing the next image, or the next collection. For Goenj object series For Goenj object series Flower study series, Flower study series, Flower study series, Personal work with Yujeong series Flower and Tattoo series. Having grown up with the internet, Cho whose works are on show at the Fotografiska museum in New York until February 6 has always wandered through an infinite overabundance of images, which he does not find paralyzing, on the contrary: like other designers of the latest generations - Demna or Alessandro Michele - he is perfectly aware that a decisive part of the contemporary creative process lies in establishing unexpected connections. In other words, making fashion photography. Skip to content Toggle navigation Created with Sketch. About Photos Photographers Editorial festival exhibitions. The story shot for Vogue Italia, he says, is a first step towards a new chapter in his artistic growth: "I read all the interviews of Veronica that I could find, and I was very impressed especially by her novel, with that strange mixture of autobiography and metaphor. Save this story Save. The Veronica Yoko Plebani that you will find in these pages is in fact not only the extraordinary Paralympic athlete, the writer and the activist that many people know by now: she is, above all, the protagonist of a dreamlike and surreal fashion fable. Born in , Cho came to photography from graphic design and art direction, when he realized that the only way to convey the images he had in mind would be to make them himself: "I looked at millions of images online, and gradually I realized that none of them told what I was familiar with. And I tried to do something very similar: on the one hand to capture the essence of Veronica - a real, extraordinary person - and on the other to create a fantastic character: everyone should be able to be the protagonist of a fairy tale. In times of insecurity and instability, a desire for boundaries, for clear-cut categories, often emerges, leaving no room for nuance or contradiction. I didn't understand which version of my self was the real one, until I decided that they all were. So it's not surprising that he has a perfect balance between his vision and the demands of commissioned work: his is a creativity that ignores, or overwhelms, any barrier.