All quiet on the western front 1930 vs 1979

Paul i jego towarzysze na własnej skórze doświadczają, jak początkowa euforia wojny przemienia się w desperację i strach, gdy walczą w okopach o swoje życie. Klasykę literatury anty wojennej Ericha Marii Remarque'a zna chyba każdy, dlatego nie będę jej przywoływał.

Kategoria za najlepszy film jest jedyną kategorią Oscarów, w której uprawnienia do głosu posiada każdy członek Amerykańskiej Akademii Sztuki i Wiedzy Filmowej. Oscar w tej kategorii jest praktycznie nagrodą za najlepszy anglojęzyczny film fabularny — jak dotąd, poza kilkoma wyjątkami, nominacje otrzymywały wyłącznie filmy w języku angielskim. W roku po zmianie regulaminu, w tej kategorii Akademia znów zaczęła nominować 10 filmów dotychczas 5. Spis treści przypnij ukryj. Artykuł Dyskusja.

All quiet on the western front 1930 vs 1979

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Jane Scott. Irving Thalberg. Michael Shamberg.

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But as he watched that film in preparation for his own, he still felt the anxiety of influence. Indeed, the two films are similar in many specifics. Both follow Paul Lew Ayres in the film, Felix Kammerer in the new version , a young German soldier who has the idealism pounded out of him by what he experiences and witnesses on the battlefield. Both films capture the sheer horror of trench warfare, and up-close deployment of new weapons, such as mustard gas. Both films depict war as something old men send young men off to die in, though the new film leans into this idea more forcefully and to more chilling effect. Still, these movies were made 92 years apart from each other, in different countries and different film industries. But it is bold in many respects, starting with the unusually fluid camera work, rare for the early sound era. It has some wonderful tracking shots. The two films also have different stylistic tones. The movie is also notable for what it almost entirely lacks: music.

All quiet on the western front 1930 vs 1979

The original theatrical version was the first literary adaptation to win Best Picture and the first film to ever win both that category and Best Director at the 3rd Academy Awards. Now, over nine decades later, the most recent Netflix adaptation of "All Quiet on the Western Front" has joined the ranks of "Parasite," "Crouching Tiger, Hidden Dragon," and "Fanny and Alexander" to become one of four foreign-language films with the most wins in Oscar history. With the war fresh in mind and its shell-shocked survivors, many born in the 19th century, now making up what came to be known as the Lost Generation the last of whom died in , it's not surprising that the film would begin with the disclaimer that it is "neither an accusation nor a confession, and least of all an adventure," but rather a story of lives "destroyed by the war. While in some ways the new Netflix adaptation remains in conversation with the original film across the decades, it's a homegrown German production with a much greater distance of time and history separating it from the war. From its opening frames, Netflix's "All Quiet on the Western Front" lets the viewer feel that distance as it assumes a more omniscient perspective. Nature scenes give way to a burned-out battlefield littered with bodies, as the camera looks straight down in a God's-eye view until it's gliding along the ground and down into the trenches with a terrified infantryman. His name, Heinrich Jakob Schmidt , is sewn into his coat, but it's not long before it's stripped from his corpse and passed onto Paul Felix Kammerer by a recruiter. In the original "All Quiet on the Western Front," there's a scene where we see a pair of boots handed down from one fallen soldier after another, but it's more of an aside that comes later in the movie. Netflix's version, directed by Edward Berger, expands on the idea to show how the lives of soldiers are fed through the gristmill to become material artifacts like a pile of dog tags. This is complemented by Volker Bertelmann's music , which keeps the viewer on edge as it cranks like a ratchet as tight and tense as the ticking-time-bomb score of "Dunkirk.

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Pan z milionami. Gra pozorów. Lucien Hubbard. Piękna i Bestia. Rzeka tajemnic. Top Gun: Maverick. Pieter Jan Brugge , Michael Mann. Feldman Paramount Pictures. Zagubiony horyzont. Złudzenia życia.

A young soldier faces profound disillusionment in the soul-destroying horror of World War I. Paul Baumer : [to a dying Frenchman] If we threw away the guns, the grenades We could have been brothers, but they never want us to know that.

Muzyka i cała wizualizacja naprawdę robi wrażenie ale Żegnaj Chips. Top Gun: Maverick. Przełącz ograniczenie szerokości strony. James Cameron , Jon Landau. Zanuck Harry Joe Brown. Gordon Company Universal Pictures. Ukryte działania. Henryk V. Bruce Cohen , Dan Jinks. Wald, 20th Century Fox.