國立 故宮 博物院

國立 故宮 博物院

We are US Expats that have extensive experience living, working, and travelling in Taiwan. In our day, we had to learn many things about Taiwan the hard way.

The architecture was a streamlined shape created on the concept of traditional ink wash painting. It was expected to achieve the goal of balancing South and North and averaging cultural resources. Also, enhance the southern area's cultural, educational, social, and economic development. The museum was designed by the architect, Kris Yao. Based on the concept of "thick ink", fei pai characterized by hollow strokes, as if done with a half-dry brush " and "rendering" in traditional Chinese ink wash painting, a streamlined shape of virtual and real structure interweaving with each other was created. Most of the exhibits in the National Palace Museum southern branch are borrowed from the three collections which are calligraphy and paintings, utensils, and documents in the northern branch of the museum to create large-scale thematic exhibitions with both quality and quantity. For more information about visiting National Palace Museum southern branch please refer to the official website.

國立 故宮 博物院

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This file contains additional information, probably added from the digital camera or scanner used to create or digitize it. If the file has been modified from its original state, some details may not fully reflect the modified file. This is a file from the Wikimedia Commons. Information from its description page there is shown below. Commons is a freely licensed media file repository. You can help. English: A scene from the Zhishan Garden of the National Palace Museum, showing the view that the main building of the Palace Museum faces north to the south, with mountains and water on its back.

Renowned works have been carefully selected for this exhibition from the cultural properties in the collection of the National Palace Museum, Taipei. The exhibition aims to introduce widely the characteristics and exquisiteness of Chinese culture. From ancient times, people in Japan have been familiar with Chinese culture and have actively sought to assimilate it. Distinctive Japanese culture, which was formed subsequently, can be better appreciated through an understanding of the fine Chinese cultural properties in the collection of the National Palace Museum, Taipei. Highlights of the Exhibition. Man and bear Qing dynasty, 18th - 19th century. Page top. Sunday, June 22, Other major ticketing agencies on sale to Monday, June 23, General Inquiries Hello Dial.

國立 故宮 博物院

It has a permanent collection of nearly , pieces of Chinese artifacts and artworks , many of which were moved from the Palace Museum in the Forbidden City as well as five other institutions in mainland China during the ROC retreat. These collections had been transferred to several locations before finally being established in at its present location in Shilin, Taipei. The museum building itself was built between March and August , with many subsequent expansions making it one of the largest of its type in the world, including a southern branch located in Taibao , Chiayi. The museum's collection encompasses items spanning 8, years of Chinese history from the neolithic age to the modern period. The articles in the museum consisted of the valuables of the former imperial family. In , shortly after the Mukden Incident Generalissimo Chiang Kai-shek 's Nationalist Government ordered the museum to make preparations to evacuate its most valuable pieces out of the city to prevent them from falling into the hands of the Imperial Japanese Army. In , it was shipped back to the Nanjing warehouse. The Chinese Civil War resumed following the surrender of the Japanese, ultimately resulting in Generalissimo Chiang Kai-shek 's decision to evacuate the arts to Taiwan, which had been handed over to the ROC in When the fighting worsened in between the Communist and Nationalist armies, the National Beijing Palace Museum and other five institutions made the decision to send some of the most prized items to Taiwan. By the time the items arrived in Taiwan, the Communist army had already seized control of the National Beijing Palace Museum collection, so not all of the collection could be sent to Taiwan.

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